12/14/2022 0 Comments Roy jones jr go hard or go home![]() was born on January 16, 1969, in the small Florida city of Pensacola, USA. To answer these questions, a look back is required at what makes the sometime enigma, and other time superstar of Roy Jones Jr. Soon after questions arose about Jones, why is he doing it? And why would he risk it? Was it for the money, an estimated 10 million? Was it the irresistible urge that goes with having been a champion? Was it merely ego or a grab for a higher place in boxing history? Jones was already an established musician having established Body Head record label, a film actor and professional basketball player. signed to fight WBA Heavyweight world champion John Ruiz. Blake McKernan, 8 rounds, light heavyweights And if they lose control in the ring, who is going to allow them to take part in an exhibition again?īadou Jack vs. Again, we are concerned about their health. ![]() We can only hope that the fighters are on the same page. That’s what California officials have in mind. They’ll move around the ring as best they can, throw a few light punches here and there and then smile and give one another a great big hug afterward. ![]() Our prediction is that Tyson and Jones are going to have a little fun for the benefit of the fans and charity. ![]() He might be able to dance and stick and move to an extent that would frustrate his plodding opponent and allow him to dominate the fight and avoid trouble. And Jones is about as slick as a 51-year-old can get. Thus, he could have better muscle memory than Tyson does. Jones has been out for less than three years. Tyson hasn’t fought for 15 years, which is an eternity in boxing. Jones isn’t what he used to be but he probably has a little more left in the than tank than Tyson does. If Tyson can impose his physical superiority over Jones, he could control the “fight.” And he might be able to KO Jones if he wants to. And “Iron Mike” remains strong and powerful, which is his advantage over his naturally smaller opponent. Tyson doesn’t have the speed and reflexes he once had but neither does Jones. The WBC has hired three former fighters to score the fight for fun. Jones was the best pound-for-pound fighter of the 1990s.įirst, there will be no official scoring, which means there will be no official winner. Tyson was good but he never beat an elite opponent when that opponent was in his prime. If the fighters abide by the strict guidelines established by California officials – no crazy stuff – they should be fine. Is it appropriate for two 50-somethings to exchange blows? Depends. He’s a little younger than Tyson and has fought more recently – in 2018 (last year if you count an exhibition) – but the once-dazzling speed and reflexes are gone. He was shot when he was stopped by Kevin McBride in his last fight. Don’t be fooled by the workout videos he has posted. Has Tyson really recaptured his old form? C’mon. The last thing anyone wants to see is either of them get seriously hurt. California officials have asked the participants to refrain from throwing bombs. The exhibition will be contested over eight two-minute rounds and with 12-ounce gloves, which is meant to soften whatever blows they land. This is a glorified sparring session between two old men (by boxing standards) who are shells of what they once were. You shouldn’t watch if you want to see a real fight. You should fork over the $50 pay-per-view fee if you think you’ll enjoy a trip down memory lane and want to support the charity or charities that will benefit from the exhibition. Home country: United States (Pensacola, Flas.) Other titles: IBF middleweight (1993-94), IBF super middleweight (1994-96 WBC light heavyweight (1997) WBC light heavyweight (1997-2003) WBA light heavyweight (1998-2003) WBA heavyweight (2003-04) WBA and WBC light heavyweight (2003-04) Home country: United States (Brooklyn, N.Y.) Other titles: WBC heavyweight (1986-90) WBA and IBF heavyweight (1987-90) WBC heavyweight (1996) WBA heavyweight (1996) Division: Heavyweight (8 two-minute rounds)
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12/14/2022 0 Comments Aventail vpn client error 1053![]() Meanwile I am still hoping to get some clues from the error messages in the original, but so far no luck there either. Of course my work site and support they get from Aventail don't care to expend much effort on Linux questions. Something illustrated by these errors is failing as Aventail tries to provision the VPN: It wants to set things up in a mode labeled "Access: Web and Client/Server", but a little red error exlamation-point-icon shows up by the final status note which says "Access: Web" without the "Client/Server" feature. These occur during initial login to my work-site. It appears that they slightly modified a few minor things, like java message boxes and it shows up with zero backgrond/history information in synaptic).Īnyway, I have reverted back to the "official" version, and consistently get the errors originally posted. (Curious though what this Mepo repository could provide. ![]() Well, I installed this version of icaclient and it "works" no better than the one from citrix's site. o DNS query the Mac Server from a local LAN client o DNS query a different FreeBSD server on the same LAN as the Mac Server, over the VPN - Details: Server: Mac Pro w/ Mac OS X Server 10.6.2 VPN enabled, DNS enabled, firewall disabled IP address: 192.168.100.64 Test client: Mac OS X 10.6.2 on a different. After that I unchecked the Mepis repo in my repo list. I installed it via Synaptic and it runs fine. I added "deb mepis-8.0 main" to my repository list just for the icaclient. An optional feature, called Aventail Secure Desktop, provides even more secure handling of SSL VPN data by creating a virtual workspace and temporary, encrypted 'vault' on client machines where. CNF KiSS Paper Doll Set CNM NoteMap Outline File (LexisNexis) CNM Windows Application Menu Options and Setup File CNM Pegasus Mail New Mail Message (David Harris) CNM WinRoute Electronic Mail File (Kerio Technologies Inc.) CNQ Compuworks Design Shop File CNQ WebShop Platinum Project File (Boomerang Software, Inc.) CNR Click'N'Run Installation. Declaration dropped.Īlways followed immediately by Warning #2ĭutchmaster wrote:I'm not knowledgeable of how to resolve the error codes, but this might be worth trying to see if it resolves the problem. Warning: Error in parsing value for property 'filter'. These are interspersed among these recurring pair of warnings: So maybe I just need a little help interpreting them: The former's Error Console does show a couple of This was the same behavior before installing openmotif (supposedly required)Īnd is no diffeent in Iceweasel or Epiphany. I can log in to work-site through Aventail and get to the Citrix Icons,īut clicking on any of them still brings up the java message box Without this I'm somewhat not able to work.I made deb-packages of, and installed, using dpkg -i: The Aventail app is still there too.Īny and all help is appreciated. Issue seems to be VPN/DialupĬonnections break after this update. I know it's a Windows issue, because it worked just before the Update, so please don't answer this question by saying go talk to Aventail. ![]() However, the rollback created more issues, it caused me to lose my Windows Store, which preventsĪny stock apps like calculator from running. Then it should open remote desktop connection. Tried to generate a simple script: open VPN client 'aventail' and pass it a pwd. This the latest and greatest aventail that is provided to me.Īllows me to connect successfully and no issues/errors. Hi, I'm using latest version OF AHK on Win 7 prof 64-bit. I tried uninstalling and reinstalling aventail, no success. Goto Settings -> Network & Internet -> Dial-up -> Select the dial-up profileĮrror: I briefly see the status change om the network & internet window but it comes back to the connect option. Aventail Connect with Smart Tunneling version: 10.7.1.477Īfter this forced update I am not able to connect to my VPN via Aventail Connect.ġ. 12/14/2022 0 Comments I just wanna be with you mary j blige![]() ![]() Would you ever reunite with your groups from the past? Just kinda distorted stuff, more effects, more visual stuff happening. Really strong beats and me using more of my tenor voice to feel a little young Stevie a little bit. More like Lucy Pearl, or me kinda reaching back to my Sly & The Family Stone roots, but at the same time still sonic boom. This is a little dirtier than that, but it’s definitely a lot of effects, but it’s a lot of undertones of guitars and me playing bass, a lot of crazy bass. Muddy Waters, Rolling Stones, more of that. I played on the words, you know, Stone Rollin’. Stone Rollin’ was more of a Chicago blues, rock and roll, kinda like Rolling Stones thing. It’s a hybrid of, I would say, Instant Vintage, but it’s a little more colorful than The Way I See It, that was more like a ’60s record. It just shows that if you love what you do - and I actually do, I love what I do - you just put your head down and keep working and good things, amazing things, can happen. When Mary comes over you gotta pull out all the bells and whistles. Cause you know I don’t do anything for awards. ![]() Were you surprised by the Oscar nomination for the song? And the camera is very consistent in her eyes, which means she did a great job. Because that’s the hardest thing to do in acting, is to be believable and have the eyes that the camera can stay on. Even when she wasn’t speaking, I was still looking at Mary. I was watching and critiquing Mary really hard. ![]() What do you make of Mary’s performance in particular and the way she inhabited that character? I felt like Mary’s character was the person who was putting her differences aside to make everything work with both families. You will fight, but you don’t wanna have this struggle all the time. I was just so glad it lined up with the stories, with her character, the husband, the son going into the military and coming back feeling like he had no worth. She lived it, she walked through the mud, she was there in the shoot taking it on. I think it aligned very well because Mary was such an intricate part of being in my face and talking about it. Now that you’ve seen it, how do you think it aligns with the message of the movie? “Mighty River” came about without you having seen the film. Blige Thrilled at Becoming a Double Oscar Nominee They both looked at me very weird when I said that. I just knew that this piece, this film, with Mary and Taura, we had to say something about rivers. I’m a huge Al Green fan, and Al Green had, “Take me to the river.” You know. I always wanted a song that talked about the river. People sing “The Jordan River.” Then I started listening, a little bit further into my music school, I fell in love with Neil Young, and he used the word river. I grew up in church, and there was always a song about - a negro spiritual or I’d sing like, classical negro spirituals in high school, at my high school in Oakland, and you read about the Jordan River. The same goes for “Mighty River.” Why was it important to have it be a center theme to it?įor me, I love songs that have something about a river in it. There’s an overarching theme among Oscar nominees for best original song that’s about inclusivity. We just kinda sat there and put no pressure on anyone, but it was a lot of pressure. Going over and over the lyrics and the words. Her and Taura grabbed a pen, I grabbed the guitar, we sat down and we kept conversing. She basically sat down and gave us the scope of it. When I get back, I’ll have an opportunity to have a song in this piece, in this film, and I wanna write something with you.” So I called my writing partner Taura Stinson and Mary came by the studio and told us about the film. “I wanna work with you.” So we always kept that stream open, and she called me and said, “I’m working on this movie. When see Mary as a writer and a fan, I’m always like, “What are you doing? What are you working on? When do you go back to the studio?” That’s a normal thing I’d say to Mary. 12/14/2022 0 Comments Country heat workout dvd(Later in 1975, Brown released the song " Hot (I Need to Be Loved, Loved, Loved)," whose main riff was borrowed directly from "Fame.") Doggett writes that other potential influences were the 1972 song "Jungle Walk" by the Rascals and the 1974 songs " Pick Up the Pieces" by the Average White Band and "Brighter Day" by Keith Christmas, a friend of Bowie's. Lennon stated in a 1980 interview: "We took some Stevie Wonder middle eight and did it backwards, you know, and we made a record out of it!" Īfter the group solidified the riff, they emerged with something that was in the hand of "black American music" at the start of 1975: a "cousin" of " Hollywood Swinging" by Kool & the Gang, " The Payback" by James Brown, and " Do It ('Til You're Satisfied)" by B. Bowie later said that Lennon was the "energy" and the "inspiration" for "Fame", and that's why he received a co-writing credit. However, according to Doggett, Lennon made the "briefest lyrical contributions" that was "enough" to give him co-writing credit. Lennon, who was in the studio with them, came up with the hook when he started to sing "aim" over the riff, which Bowie turned into "Fame" and thereafter, according to Marc Spitz, wrote the rest of the lyrics to the song with Lennon. There, Carlos Alomar had developed a guitar riff for Bowie's cover of "Footstompin'" by the Flairs, which Bowie thought was "a waste" to give to a cover. The pair jammed together, leading to a one-day session at Electric Lady Studios in January 1975. By late 1974, Bowie was staying in New York City, where he met John Lennon, who was in his "lost weekend" period of estrangement from his wife Yoko Ono. Sources differ on how "Fame" came to be in the studio, but both Doggett and Nicholas Pegg write that it was the product of "happy" accidents. With the Young Americans sessions mostly concluded by late 1974, the material was delayed while Bowie extricated himself from Defries. The most you can say is that it gets you a seat in restaurants." Composition and recording īowie wrote "Fame" with former Beatle John Lennon, who also contributes backing vocals and guitar. I think fame itself is not a rewarding thing. In 1990, Bowie recalled the song as his "least favourite track on the album" and reflected: "I'd had very upsetting management problems and a lot of that was built into the song. This is supported by biographer Peter Doggett, who writes: "every time in "Fame" that Bowie snapped back with a cynical retort about its pitfalls, he had and epic folly in mind," and noted the lyric "bully for you, chilly for me" as the striking example. īowie would later describe "Fame" as "nasty, angry", and fully admitted that it was written "with a degree of malice" aimed at the MainMan. The failure of Fame almost ruined MainMan and was traumatic on Bowie and Defries' relationship. It also meant an expensive musical theatre project concocted by Defries, titled Fame, that was financed through MainMan, a company that was built around Bowie's fame the show was an examination of Marilyn Monroe that closed after one night on Broadway and after already flopping off-Broadway. It meant not only his stardom, but also impending lawsuits that were the result of the ending of Bowie's relationship with his manager Tony Defries. By the beginning of 1975, "fame" meant a couple of different things to Bowie. On that album, Bowie presented his aspirations to become famous in "Star", which also encapsulated the fantasies of "every adolescent dreamer miming into a hairbrush in a suburban bedroom", on top of Bowie's own frustration with not having fulfilled his potential. ![]() With the release of his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Bowie achieved stardom. The song is one of four of Bowie's songs to be included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. "Fame" has since appeared on many compilation albums, and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set. In 1990, Bowie remixed the song under the title "Fame '90" to coincide with his Sound+Vision Tour. ![]() However, it was less successful in Europe, reaching number 17 in the UK Singles Chart. The song was one of the more successful singles of the year, ranking at number 7 on the Billboard Year-End Hot 100. The song was a major commercial success in North America, becoming Bowie's first number 1 single on both the US Billboard Hot 100 and the Canadian Singles Chart. It is a funk rock song that represents Bowie's (and Lennon's) dissatisfaction with the troubles of fame and stardom. Written by Bowie, Carlos Alomar and John Lennon, it was recorded at Electric Lady Studios in New York City in January 1975. ![]() It was released on his 1975 album Young Americans and was later issued as the album's second single by RCA Records in July 1975. " Fame" is a song recorded by English singer-songwriter David Bowie. 12/14/2022 0 Comments Gmail hacker apk 2019That’s why we’ve brought your favorite features to Gmail to help you get more done. While we were here, we found a new way to email with ideas like snooze, nudges, Smart Reply and more. No additional requirements for installation. We are saying goodbye to Inbox at the end of March 2019. Recovers email id password of any length or complexity. Password decryption for Autocomplete form, search engine, online shopping and news group accounts from internet cached. Breaks code string for passwords of all Windows applications (Microsoft Word, Excel, Power Point, Acces WinRar, Winzip, pdf etc.). 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This password cracking application can break the secret code string of all Windows applications like Microsoft Office documents (Word, Access, Power Point, Excel), Adobe Acrobat files (pdf) and other password related programs like WinRar, WinZip etc.Įmail Password Hacking Software offers password recovery or reset for all FTP clients (FlashFXP, SmartFtp and CuteFtp), search engine and news group accounts and Autocomplete form. It supports cracking passwords of all login based web forms like Gmail, Hotmail, MSN, AOL, Lycos and various social networking websites like MySpace, Orkut etc. Email Password Hacking Software is a very helpful application that offers a user friendly and simple solution for recovering your lost password from local system memory. No Video Free utilities for hacking cracking password With the necessity of multiple accounts in our days the probability of losing or forgetting passwords is rapidly increasing. 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Please remember it can take some time for your bank or credit card company to process and post the refund. INPA BMW Software work with INPA/Ediabas K+DCAN USB Interface professional performance than. We will notify you once we’ve received and inspected your return and you will be automatically refunded on your original payment method. Setup NCS-Expert on BMW INPA / Ediabas OBD & ADS Interface. The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item. Unfortunately, we cannot accept returns on gift cards. Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right. You can always contact us for any return question at and issues Items sent back to us without first requesting a return will not be accepted. To start a return, you can contact us at Once your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. To be eligible for a return, your item must be in the same condition that you received it. ![]() We have a 30-day return policy, which means you have 30 days after receiving your item to request a return. ![]() Since the distance between the international standard pitch of A-440 and A-432 is less than a third of a semitone (31.7 cents), the difference would have been unnoticeable for most listeners. Moreover, the site suggested ways in which curious listeners could experiment with audio software in order to lower the pitch of their digital music files. Titled “Why You Should Consider Converting Your Music to A-432,” the article included video demonstrations, audio clips, quotes from Nikola Tesla and Albert Einstein, and links to resources from elsewhere on the web, all encouraging readers to reconsider the A-440 standard. For instance, when pop artist Prince hosted a live Q&A on Facebook in 2014 to promote his new album Art Official Age, a fan posted a question for the pop star: “Greetings my dear Brother…Please address the importance of ALL music being tuned to 432 Hz sound frequencies?” Prince (who had ignored other fan queries) responded to this one by posting a link to an article on a website called. Twenty-five years later, in what would seem an unlikely development, the question of an A-432 tuning standard was being hotly debated in certain corners of the internet. Although this particular initiative was ultimately unsuccessful, LaRouche and the Schiller Institute would continue for decades to argue that this subtle change in musical tuning was essential to the preservation of Western art music. At the time, the campaign found supporters among some of the biggest names in opera, such as Placido Domingo, Luciano Pavarotti, Renata Tebaldi, and Birgit Nilsson. Instead of using the international standard pitch of A-440 Hz, LaRouche’s petition argued that Italy should adopt a slightly lower pitch reference, such that the note “A” above middle “C” would instead be tuned to 432 Hz. In 1989, a LaRouche entity called the Schiller Institute petitioned the Italian legislature to abandon the standard pitch used worldwide as a musical tuning reference in broadcasting, musical instrument manufacture, and in educational and arts institutions. Alongside some of these more extreme agendas, LaRouche also maintained a longstanding commitment to a specific matter of musical reform. In his lifetime, LaRouche was known for promoting controversial political and economic causes heavily informed by conspiracy theories. president eight times and later served a prison term for mail fraud and tax evasion. When Lyndon LaRouche died in February 2019 at the age of 96, obituaries remembered him as a far-right political figure who ran for U.S. ![]() After exploring the listening practices and media engagement of 432 Hz proponents, the article asks how the rise of 432 Hz music might relate to other recent and emerging forms of music consumption, the affective marketing of sound, and the management of personal sonic space. It draws from research into some of the common historical, scientific, and conspiratorial claims made by 432 Hz advocates, as well as from qualitative data collected from dedicated 432 Hz listeners. This article examines the promise of-and skepticism towards-the concept of “frequency” that is at the center of the 432 Hz phenomenon. This preference is, for many, connected to beliefs that the A-432 Hz tuning reference can be physically, psychologically, and even spiritually beneficial. Alternatively, they prefer (and in some cases promote and advocate for) music that is tuned to a slightly lower, A-432 Hz standard. Rather, they have in common a belief that music tuned to the standard pitch of A-440 Hz is in some sense “out of tune” with nature or humanity. Increasingly connected via social media, listeners in this subculture do not necessarily share the same musical tastes or backgrounds. 432 Hz music is a relatively recent internet-based phenomenon that has attracted listeners and musicians from all parts of the world. 12/13/2022 0 Comments Kendrick lamar pimp a butterfly lyrics![]() Once again, the success of a young talented and black star can rhyme with excess misusing influence. Sex put on pedestal, is obviously seen a source of influence and power, « nookie » meaning « vagina ». « a piece of nookie, I need to push me into the limits, doing all for a woman » or « nookie is power, cut on a new chick every night ». If you notice the lyrics in his performance Untitled at the Colbert Report Show. With this jazzy and gospel instrumentation, put in scene as a spoken word/comedy show, it deals humoristically with sex and consumption. ![]() « You was my first girlfriend » : a first metaphor for the dream to cherish in this music game, before acting a fool when success eventually hits a gift being consumed. This track takes us at the caterpillar phase, craving fame, influence and overall success in the music industry, though in a toxic environment: money, sex, consumption, excess… self-destruction. This refers to the conclusion too, with this final poem where Kendrick says caterpillar and butterfly are completely different, but the same person at the same time.īy the way, we might imply a theory in which Kendrick gives himself a mission similar to Jesus Christ’s, considering the number of time he quotes « Nazareth » and by his mission of love and peace, and his fight against Lucy’s temptations. It reveals the blueprint of the album: this explains why much of the songs consist in 2 parts, 2 different movements. By saying « Your horoscope is Gemini, two sides ». This is the introduction to the whole apologue. ![]() Other reviewers, such as one of the busiest ones, The Needle Drop Anthony Fantano, certify it’s not a story album like GKMC. This statement might true but remains inexact: more than a just a story, this album is an actual apologue. Although deeply personal and self-centered, the overwhelming sounds and vivid lyrics, as they paint real characters, and allow listeners to identify somehow to the whole story of the protagonist. Let’s dig it track by track, shall we?įirs of all, let’s say that the unreleased track ‘Untitled’ sums up quite well the ideas packaged in the album. The visions flowing over Kendrick’s mind gets more obvious with this last project. Inspiring, moving, touching… this album, is actually a complex of emotions, ideologies, and cultures. If this was a movie, To Pimp A Butterfly would be the perfect conclusion of a great trilogy, from Section 80 to the Return Of The King (Kunta). When the four corners of this cocoon did eventually collide, the beauty of Kendrick Lamar’s masterpiece then shined bright. 12/11/2022 0 Comments Keyshia cole woman to woman album zipRick Ross is back in his Big Boss Bag with his latest single “Outlawz” featuring Atlanta spitter 21 Savage and R&B songstress Jazmine Sullivan. Benny The Butcher, Jadakiss & Busta Rhymes It’s full proof that the DX Rising Star has every tool to become a superstar. His speed rapping combined with a melodic tinge pairs well with Benny The Butcher’s straight forward approach. “Never Fail” ends all doubt, as he blazes through the track possessed. Morray has proven he can sing his heart out, but his rap skills have been severely underestimated. It’s a meeting of the minds that hasn’t occurred since 2012, and the reunion is long overdue. Gangsta Gibbs links up with legendary LOX member Jadakiss to spit some truths over a soulful beat. Gangsta rap is a tradition that despite rap’s continued metamorphosis - will never die. “2010,” the former Odd Future rapper’s most recent track, is another excellent addition to his canon, containing heady bars layered between clever references, all over a wonderfully discordant beat from Black Noi$e. With each listen, his music expands and contracts, sharing textures, lyrics and notes unheard on the first play. Many are already calling it “verse of the year.”Įach Earl Sweatshirt track is a gift that keeps giving. ![]() The song features the Outkast legend opening up about the loss of his mother, which fit the theme of Donda, the name of Kanye’s late mother who died in 2008. Although the tracklist was slightly rearranged, the updated version of the Billboard 200 chart-topping album contained the André 3000 collaboration, “Life Of The Party,” which Drake leaked in September in an attempt to outsmart his contemporary. Kanye West finally released the deluxe version of Donda on Sunday (November 14) much to the surprise of his ever-loyal fans. The Top Hip Hop Songs of 2021 (January 1 – November 30) This year so far, fans have received new music from Snoop Dogg, Freddie Gibbs, Kanye West and the long-awaited feature verse from Andre 3000 on “Life of The Party” was finally released to streaming.Įvery month, HipHopDX puts a spotlight on the tracks that stand out from the overabundance of releases throughout the year, highlighting everything from Billboard chart-friendly singles to essential album cuts.
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